Panasonic Lumix DMC-ZS60 Review
Panasonic Lumix DMC-ZS60 squeezes in a 30X (24-720mm full-frame equivalent) zoom lens, a photographic superweapon that lets you snap anything from local fare on the dinner table to exotic wildlife or architectural details that are too far away to see with your eye. What are the compromises? Primarily low-light image quality. And while the ZS60 boasts 4K video capability, it isn’t especially impressive.
The ZS60 style is utilitarian, in a good way. At 4.4 x 2.5 x 1.5 inches and about 10 ounces, it can just squeeze into a front jeans pocket and is an easy fit for anything else. A control ring around the lens barrel provides tactile control of fine adjustments such as manual focus.
A 3-inch capacitive touch screen allows you to tap the exact item you want to set focus on and even tap to shoot. You can also flick to scroll through photos and videos you’ve taken and pinch to zoom. However, the handsome LCD doesn’t tilt as on some other bridge cameras like the Canon PowerShot G7 X. This makes some photos harder to frame and requires holding the camera awkwardly in front of your face when shooting video.
When sunlight overwhelms the rear screen, the 0.2-inch LCD electronic viewfinder allows you to preview and review your photos. It’s a bit small, and can be choppy when you are panning, but the EVF is still a nice bonus feature.
If you are going to carry a camera (in addition to your phone), that camera had better offer something special. And nothing justifies bringing a real camera better than a serious zoom lens. These four photos show how far you can go with the ZS60’s 30X zoom. Just the first two represent the roughly 3X zoom range (24-74mm, full frame equivalent) of a typical camera. The ZS60’s optical image stabilization keeps photos sharp throughout.
The physics of placing a big zoom lens on a small camera body mean the image sensor must be small. The ZS60 has a 18-megapixel chip measuring just 6.17 x 4.55 mm, not much larger than a smartphone’s. Displayed at laptop-screen size (2560 pixels across), images start to look mottled beyond ISO 400 sensitivity, which wouldn’t get you past shooting during the brighter part of twilight. That makes the ZS60 no match for bridge cameras that have larger sensors (though much shorter lenses) like the top-tier Sony RX100 III bridge camera (whose 1-inch sensor is about four times larger).
While on a par with smartphones, the quality of ZS60’s 4K video is below that of higher-end bridge cameras such as Panasonic’s own LX100. In particular, video sometimes experiences a lot of rolling-shutter, a wobbly, Jell-O-like effect when dealing with motion. You can see the effects in the right half of this video when the camera, which is handheld, jitters even a bit.
Video gets soft in low light, and the ZS60 is plagued by a skittish autofocus that drifts in and out on static objects. However, in fairness, you’re unlikely to shoot such low-movement scenes in real life.
The ZS60 also packs some fun bonus features that have come down from Panasonic’s higher-end cameras. These features include 4K Photo, a new twist on burst-photo shooting that allows you to select and extract any frame from a 4K video clip as an 8MP still photo. The ZS60 also utilizes 4K video for the Post Focus feature, in which the camera grabs video at different focus points. In reviewing the video, you can tap the part of the image you want to be in sharpest focus, and the camera provides an 8MP image to match your choice.
The ZS60 has all the prerequisites to be a great travel camera: an ergonomic, compact design; 4K video capability; and a powerful, 30X zoom lens. A so-so little image sensor holds the camera back, though, and it has poor low-light performance and video that’s less sharp than the specs would indicate. You can get some great photos by day, especially with the mega zoom, but quality just doesn’t hold up when the sun goes down.
Panasonic Lumix DMC-ZS60
|Max resolution||4896 x 3672|
|Image ratio w:h||1:1, 4:3, 3:2, 16:9|
|Effective pixels||18 megapixels|
|Sensor photo detectors||19 megapixels|
|Sensor size||1/2.3″ (6.17 x 4.55 mm)|
|ISO||Auto, 80-3200 (expands to 6400)|
|Boosted ISO (maximum)||6400|
|White balance presets||4|
|Custom white balance||Yes (2 slots)|
|Image stabilization notes||5-axis hybrid OIS (video only)|
|JPEG quality levels||Fine, standard|
|Optics & Focus|
|Focal length (equiv.)||24–720 mm|
|Digital zoom||Yes (2X-4X)|
|Normal focus range||50 cm (19.69″)|
|Macro focus range||3 cm (1.18″)|
|Number of focus points||49|
|Screen / viewfinder|
|Screen type||TFT LCD|
|Minimum shutter speed||4 sec|
|Maximum shutter speed||1/2000 sec|
|Maximum shutter speed (electronic)||1/16000 sec|
|Manual exposure mode||Yes|
|Subject / scene modes||Yes|
|Flash range||5.60 m (at Auto ISO)|
|Flash modes||Auto, Auto/Red-eye Reduction, Forced On, Slow Sync./Red-eye Reduction, Forced Off|
|Continuous drive||40.0 fps|
|Self-timer||Yes (2 or 10 sec, 3 shots / 10 secs)|
|Exposure compensation||±5 (at 1/3 EV steps)|
|AE Bracketing||±1 (3, 5, 7 frames at 1/3 EV, 2/3 EV, 1 EV steps)|
|Resolutions||3840 x 2160 (30p), 1920 x 1080 (60p, 60i, 30p), 1280 x 720 (30p), 640 x 480 (30p)|
|USB||USB 2.0 (480 Mbit/sec)|
|Wireless notes||802.11 b/g/n|
|Remote control||Yes (via smartphone)|
|Battery description||Lithium-ion battery and charger|
|Battery Life (CIPA)||320|
|Weight (inc. batteries)||282 g (0.62 lb / 9.95 oz)|
|Dimensions||112 x 64 x 38 mm (4.41 x 2.52 x 1.5″)|